"Pulp Fiction" (1994)
Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John
Travolta) are two hitmen who are out to retrieve a suitcase stolen from their
employer, mob boss Marsellus Wallace (Ving Rhames). Marcellus has also asked
Vincent to take his wife Mia (Uma Thurman) out a few days later when he himself
will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is
paid by Marcellus to lose his next fight. The lives of these seemingly
unrelated people are woven together in an intricately clever script comprising
of a series of funny though occasionally bizarre incidents. Written and
directed by Quentin Tarantino.
The first time I admit I wasn’t mad about this film because I just
found it so bloody confusing and so had to watch it again to try and follow what the
hell was going on. The time-frame is a little muddled. It switches from one story to the other, but despite my initial disgruntlement,
having watched it a few more times since then, I do see the brilliance of its
structure. This film is epic.
Quentin Tarantino is known I think for the level of violence
and obscene language throughout his films and there's certainly no shortage here! (Apparently the 'F word' is said 265 times). Perhaps this film is not for
the faint hearted. I’m not big on the excessive language and violence generally
and could argue that it’s not necessary but at the same time you can’t fault this script because in all honesty it’s genius. The dialog is very smart and
realistic. The characters Tarantino has created, and the way he has created them is
amazingly well done. The conversations between Jules and Vincent, while largely
unrelated to the actual story, are incredibly important and insightful when it
comes to getting to know their characters. I’ll always remember their “royale
with cheese” conversation (mostly because for weeks we couldn’t eat a burger without Dad imitating this dialog) but also because it’s just funny
and light hearted and brings you closer to the characters. You feel more
empathy towards them when shit hits the fan later! It seems to be a unique
style to Tarantino, who, for interest sake also makes a cameo himself
in the film. Of the three stories woven in the film, the one with Jules and
Vincent is my favourite. I love their friendship.
Continuing from this, Jules is probably my favourite
character. He’s the only one of the characters who appears to have any form of
remorse for the kind of vocation and makes the biggest transformation they have. But also he has the best dialogue
in the film and Samuel L. Jackson plays him amazingly. One of the scenes which
stands out for his character is when he has to shoot this guy in a chair. I
love how these guys Jules and Vincent storm in on are eating burgers so the
boys are able to continue their conversation from in the car. (While also wondering how one could stomach burgers for breakfast...) Jules completely
owns this scene and it includes his monologue of the excerpt from the Bible Ezekial
25:17. The significance of this monologue changes as the film develops. When he
repeats it in a later scene in a café (a scene that also stands out hugely for this
character) it has taken on a whole new meaning to what it suggested at the
beginning. He repeats it three times. (But it is worth pointing out that this
passage was in fact made up by Tarantino and Samuel L. Jackson because apparently only
the final two lines feature in Ezekial 25:17)
What’s also interesting about the above scene is the fact that
we never once throughout the film actually find out the contents of that
suitcase. This film really asks more questions than it answers, it has to be
said. However, there have been some theories. The most popular theory is that it's Marcellus
Wallace's soul, hence the case's glow, the plaster on the back of Wallace's
head (this is where the soul is removed) and the combination - 666. I think
this theory is class. I tell you the detail in this film is unreal. Anyway, in
reality, the bandage on Marcellous’ head was apparently actually to cover a
shaving scar suffered by the actor and though Quentin Tarantino's original
script apparently had the briefcase containing diamonds, he quickly dismissed
this as it was too similar to his other film Reservoir Dogs. (And not to mention really cliché...) Instead, Tarantino
thought it better to never reveal (or even decide) what was in the case, in the
hope people would guess, speculate and create their own theories. Well, this
worked a treat! Evidently.
The cinematography is quite interesting. There is a lot of
unconventional framing and composition. An example would be early in the film
during the conversation between Butch and Marcellous. We’ve got an
over-the-shoulder shot, but rather than focus on Butch’s face as would normally
be expected, we instead concentrate on the back of Marcellous’. What’s so great
about this is the fact it forces the audience to wonder about this mysterious
bandage on the back of his neck (which I referred to in the previous paragraph)
and trying to determine what this intriguingly mysterious person looks like. Despite
having heard so much about him, we don’t see is face until quite later. But
this technique is a fantastic and subtle means of further building the danger
and mystery around this man. In this scene there’s also a long piece of their
conversation where we only see Butch’s face, even when Marcellous is speaking.
I always find this quite jarring considering I always knew films not to stay on
the one thing for too long and to move around to keep the audience interested.
But I guess in its own way this also amplifies the curiosity in regards to
Marcellous.
The editing is extremely well crafted. The film was
nominated for its editing at the Oscars but just missed out to Forrest Gump. But
if you think about it, it was bloody confusing enough to just watch, can you
imagine the process of trying to fit these different stories together in a
seamless manner? I don’t know how they did it, really. One nugget of
information I found interesting to learn was in the scene when Vincent had to
plunge the syringe of adrenaline into Mia’s chest following her mistaking a bag
of heroin for cocaine, was filmed by having John Travolta pull the needle out,
then reversing the footage. Chronologically speaking, the last scene in the
movie sees Butch and Fabienne drive away on a motorcycle. The very first sound
heard at the start of the movie is the same motorcycle's engine.
I did not care for the torture scene in this film. (But if you've read any of my other reviews you'll be well acquainted with my aversion to this kind of thing) I don't believe I've actually watched it in all the times I've seen this film. But I have to admit it's a pretty ironic scene considering Marcellous' preoccupation throughout the film with punishing his enemies "in the ass"; his frequent threats it would seem...well uh...come back to bite him in his own...
As we’re on the subject of Marcellous, I also found it
interesting to realise that despite being husband and wife, Marcellous and Mia
Wallace never actually speak to each other on screen throughout the whole film.
I kind of wonder if that actually says a lot about their characters without
actually saying anything?!
And finally one more note regarding Marcellous: The shot of
him stopping and seeing Butch in the middle of the road is copied directly from
Psycho. And I would like to proudly interject that this was one of the notable
facts that I clocked myself before researching about this film before doing
this review! I feel very proud of myself for noting it.
I think my favourite moment in the film is probably when
Vincent accidentally shoots Marvin in the face. I laughed so much. Ok, that
sounds really bad when you say it like that, but if you watch it, it’s pretty
funny. I think this would be one of the more classic scenes out of the film.
Another classic scene is the dance sequence between Mia and Vincent during the Jack
Rabbit Slim's Twist Contest…though personally I’ve never really got the hype
over it…I kind of like the song used though!
The soundtrack to this film is class. It’s got some great songs. “Son of a Preacher Man”, “Girl You’ll Be A Woman Soon” (though not Neil Diamond’s version which I would have preferred, but this is just me), “You Never Can Tell”, "Jungle Boogie"….It’s got one of those soundtracks that when you hear any of the songs from it, it makes you want to go and watch this film. I always find that with The Full Monty’s soundtrack too, haha.
There are so many big names in this film. Samuel L. Jackson,
John Travolta, Uma Thurman, Bruce Willis, Christopher Walken. The part of Jules was actually written for Samuel L. Jackson and as I said above he is
unreal. He received a nomination for Best Actor in a Supporting Role. Uma
Thurman also received a nomination for Best Actress in a Supporting Role, and
John Travolta received a nomination for Best Actor in a Leading Role. While I
agree completely that he deserved his nomination, I always find it so strange
watching John Travolta in a film like this because I grew up watching him in “Look
Who’s Talking” and he, for me, will just forever be James Ubriacco. (I never
liked “Grease” much) Quentin Tarantino himself received a nomination for Best
Director but went on to win (with Roger Avary) Best Writing, Screenplay Written
Directly for the Screen. The film as a whole was also nominated for Best
Picture. The film cost around $8m to make, but went on to make over $210m.
I never got the significance of the title “Pulp Fiction”;
never understood what it had to do with any of the film, but apparently it is
supposed to be self-referential. These ‘Pulp’ magazines were popular during the
mid-20th century and were supposed to be famed for their graphic
violence and punchy dialogue, exploited to attract readership. This film’s
content mirrors these stylings. The novel Vincent reads on the toilet, “Modesty
Blaise”, is a 1965 'pulp' novel, in keeping with the movie's title. As we’re on
the subject, interestingly, whenever Vincent goes to the toilet (which is a lot more than you think - constipation is a side effect of heroin apparently), something bad happens.
He emerges at Mia house to find her overdosing, he later comes out at
the restaurant to find a robbery unfolding and (SPOILER IF YOU HAVEN’T SEEN THE
FILM) somewhere in the film is shot dead by Butch after using his bathroom.
So yeah...To conclude this review, as you’ve probably
guessed while reading: if you haven't already, this is definitely one to watch!
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